Musical culture of a provincial city through the lens of artistic urbanism. On the problem statement
DOI:
https://doi.org/10.33910/2687-1262-2019-1-2-134-140Keywords:
musical culture, artistic urban theory, capital, provincial city, central-peripheral relations, provincial music centre, folklore traditionAbstract
The article is devoted to the issues of a provincial city musical culture, which are considered in the aspect of modern urban studies. The author puts forward the idea of positioning artistic urbanism as a special research area which can enable a researcher to contemplate the various phenomena of artistic creativity in urban culture. Urban art is an important typological, sociological, morphological and cultural feature of urban culture. In general, the object of urban studies is spatial arts — architecture, design, applied and decorative arts, and landscape art. The musical existence of a city sets a new vector for this research area and takes it beyond the sphere of visual analysis into the field of temporal arts. In various Russian regions, extensive collections of musical and local history materials have been accumulated and may now become the subject of artistic urbanism. Such analysis enables the researcher to identify the general trends of the urban musical environment evolution in the past and the present, to trace the development patterns of artistic life in the Russian province as a whole, and to complement the history of Russian music on a national scale. In this article special attention is devoted to the analysis methodology which is based on the “capital — province” dichotomy. The author identifies the factors that determine the specificity of musical culture for provincial Russian cities that may differ in their historical, social and cultural status. Among such factors special meaning is assigned to the spatial-geographical criterion which traditionally defines the musical culture originality of various provincial cities. The article also addresses the phenomenon of “a provincial music centre” — a novel factor in the musical life of modern Russia. Such “centres” stand out against the background of the bulk of the “minor province” cities, whose musical life is based on traditional forms of artistic practice.
References
ЛИТЕРАТУРА
Долгорукий, И. М. (1870) Журнал путешествия из Москвы в Нижний 1813 года. М.: Императорское Общество истории и древностей российских при Московском университете, II, 122 с.
Дынник, Т. А. (1933) Крепостной театр. М.; Л.: Academia, 327 с.
Зинькевич, Е. (2011) Оперный театр в социокультурном пространстве города. Киевский оперный. 1860–1870-е годы. В кн.: В. Валькова, Е. Ключникова (ред.). Социология музыки: новые стратегии в гуманитарных науках. М.: Композитор, с. 237–249.
Кантор, Г. В. (1973) Новиков (Из истории музыкальной жизни Казани). В кн.: Е. М. Орлова, Е. А. Ручьевская (сост.). Страницы истории русской музыки. Статьи молодых музыковедов. Л.: Музыка, с. 176–183.
Карнишина, Н. Г. (2009) Центр и провинция во второй половине XIX века: механизм взаимодействия и взаимовлияния. В кн.: А. М. Белов, А. В. Новиков (ред.). Романовские чтения. Центр и провинция в системе российской государственности. Кострома: КГУ им. Н. А. Некрасова, с. 68–73.
Козляков, В. Н., Севастьянова, А. А. (1998) Культурная среда провинциального города. В кн.: Л. В. Кошман (ред.). Очерки русской культуры XIX века. Т. 1. Общественно-культурная среда. М.: Изд-во Моск. ун-та, с. 125–202.
Кошман, Л. В. (1998) Город в общественно-культурной жизни. В кн.: Л. В. Кошман (ред). Очерки русской культуры XIX века. Т. 1: Общественно-культурная среда. М.: Изд-во Моск. Ун-та, с. 12–72.
Курленя, К. М. (2005) Мифологемы бунта в музыкальной культуре Новосибирска 70-х — начала 90-х гг. ХХ столетия. Новосибирск: Новосиб. гос. консерватория (акад.), 419 с.
Прозоровский, Л. М. (1958) Из прошлых лет: Театральные мемуары. М.: Всероссийское театральное общество, 198 с.
Трембовельский, Е. (2008) Столицы и провинция: взаимодействие культур. В кн.: А. М. Цукер (сост.). Музыка и музыкант в меняющемся постсоветском пространстве. К 40-летию Ростовской консерватории. Ростов-на-Дону: РГК им. С. В. Рахманинова, с. 20–45.
Чижиков, В. М. (1999) Диалектика взаимодействия социокультурных систем города и села. М.: МГУКИ, 240 с.
Юдина, В. И. (2019) Музыкальная провинциология: на пути институализации научной сферы. Художественная культура, № 1 (27), с. 214–225. DOI: 10.24411/2226-0072-2019-00010
Яковенко, И. Г. (1996) Художественное сознание и городская среда (в их взаимодействии и созидании). В кн.: Э. В. Сайко (ред.). Город и искусство: субъекты социокультурного диалога. М.: Наука, с. 20–25.
Ярон, Г. М. (1963) О любимом жанре. 2-е изд. М.: Искусство, 255 с.
REFERENCES
Chizhikov, V. M. (1999) Dialektika vzaimodejstviya sotsiokul’turnykh sistem goroda i sela [Dialectics of the interaction of socio-cultural systems of the city and village]. Moscow: Moscow State University of Culture Publ., 240 p. (In Russian)
Dolgorukij, I. M. (1870) Zhurnal puteshestviya iz Moskvy v Nizhnij 1813 goda [Travel journal from Moscow to Nizhny Novgorod, 1813]. Moscow: Imperatorskoe Obshchestvo istorii i drevnostej rossijskikh pri Moskovskom universitete Publ., II, 122 p. (In Russian)
Dynnik, T. A. (1933) Krepostnoj teatr [Serf theater]. Moscow; Leningrad: Academia Publ., 327 p. (In Russian)
Kantor, G. V. (1973) Novikov (Iz istorii muzykal’noj zhizni Kazani) [Novikov (From the history of the musical life of Kazan)]. In: E. M. Orlova, E. A. Ruch’evskaya (comp.). Stranitsy istorii russkoj muzyki. Stat’i molodykh muzykovedov [Pages of the history of Russian music. Papers by young musicologists]. Leningrad: Muzyka, pp. 176–183. (In Russian)
Karnishina, N. G. (2009) Tsentr i provintsiya vo vtoroj polovine XIX veka: mekhanizm vzaimodejstviya i vzaimovliyaniya [The center and the province in the second half of the XIX century: The mechanism of interaction and mutual influence]. In: A. M. Belov, A. V. Novikov (eds.). Romanovskie chteniya. Tsentr i provintsiya v sisteme rossijskoj gosudarstvennosti [Romanov readings. Center and province in the system of Russian statehood]. Kostroma: Kostroma State University Publ., pp. 68–73. (In Russian)
Koshman, L. V. (1998) Gorod v obshchestvenno-kul’turnoj zhizni [A city in social and cultural life]. In: L. V. Koshman (ed). Ocherki russkoj kul’tury XIX veka. Т. 1: Obshchestvenno-kul’turnaya sreda [Essays on Russian culture of the 19th century. Vol. 1: Social and cultural environment]. Moscow: Moscow State University Publ., pp. 12–72. (In Russian)
Kozlyakov, V. N., Sevast’yanova, A. A. (1998) Kul’turnaya sreda provintsial’nogo goroda [The cultural environment of a provincial town]. In: L. V. Koshman (ed.). Ocherki russkoj kul’tury XIX veka. T. 1. Obshchestvenno-kul’turnaya sreda [Essays on Russian culture of the 19th century. Vol. 1: Social and cultural environment]. Moscow: Moscow State University Publ., pp. 125–202. (In Russian)
Kurlenya, K. M. (2005) Mifologemy bunta v muzykal’noj kul’ture Novosibirska 70-kh — nachala 90-kh gg. ХХ stoletiya [Mythologems of rebellion in the musical culture of Novosibirsk in the 70s — early 90s of the 20th century]. Novosibirsk: M. I. Glinka Novosibirsk State Conservatory Publ., 419 p. (In Russian)
Prozorovskij, L. M. (1958) Iz proshlykh let: Teatral’nye memuary [From past years: Theatrical memoirs]. Moscow: Vserossijskoe teatral’noe obshchestvo Publ., 198 p. (In Russian)
Trembovel’skij, E. (2008) Stolitsy i provintsiya: Vzaimodejstvie kul’tur [Capitals and the province: The interaction of cultures]. In: A. M. Tsuker (comp.). Muzyka i muzykant v menyayushchemsya postsovetskom prostranstve. K 40-letiyu Rostovskoj konservatorii [Music and musician in the changing post-Soviet space. To the 40th anniversary of the Rostov conservatory]. Rostov-on-Don: Rachmaninov Rostov State Conservatory Publ., pp. 20–45 (In Russian)
Yakovenko, I. G. (1996) Khudozhestvennoe soznanie i gorodskaya sreda (v ikh vzaimodejstvii i sozidanii) [Artistic consciousness and urban environment (in their interaction and creation)]. In: E. V. Sajko (ed.). Gorod i iskusstvo: sub’ekty sotsiokul’turnogo dialoga [City and art: Subjects of sociocultural dialogue]. Moscow: Nauka Publ., pp. 20–25. (In Russian)
Yaron, G. M. (1963) O lyubimom zhanre [Regarding my favorite genre]. Moscow: Iskusstvo Publ., 255 p. (In Russian)
Yudina, V. I. (2019) Muzykal’naya provintsiologiya: na puti institualizatsii nauchnoj sfery [Musical provincial studies: Towards institutionalization of the scientific sphere]. Khudozhestvennaya kul’tura — Art & Culture Studies, no. 1, pp. 214–225. DOI: 10.24411/2226-0072-2019-00010 (In Russian)
Zin’kevich, E. (2011) Opernyj teatr v sotsiokul’turnom prostranstve goroda. Kievskij opernyj. 1860–1870-e gody [Opera house in the socio-cultural space of the city. Kiev opera. 1860–1870s]. In: V. Val’kova, E. Klyuchnikova (eds.). Sotsiologiya muzyki: novye strategii v gumanitarnykh naukakh [Sociology of music: New strategies in the Humanities]. Moscow: Kompozitor Publ., pp. 237–249. (In Russian)
Downloads
Published
Issue
Section
License
Copyright (c) 2019 Vera I. Yudina
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The work is provided under the terms of the Public Offer and of Creative Commons public license Attribution-NonCommercial 4.0 International (CC BY-NC 4.0). This license allows an unlimited number of persons to reproduce and share the Licensed Material in all media and formats. Any use of the Licensed Material shall contain an identification of its Creator(s) and must be for non-commercial purposes only.
